Denmark, France, Georgia, Sweden, Turkey

Drama

Na

Levan Akın

Mzia Arabuli, Lucas Kankava, Deniz Dumanlı, Tako Kurdovanidze, Ziya Sudançıkmaz, Bünyamin Değer

Levan Akın

French Quarter Film, Adomeit Film, Easy Riders Films, 1991 Productions, Bir Film, SVT, RMV Film

NA

Lia, a retired teacher from Georgia, learns from her young neighbor, Achi, that her long-lost transgender niece, Tekla, has crossed the border into Turkey. In search of Tekla, Lia travels to Istanbul with the unpredictable Achi, where they explore the hidden depths of the city.

Reviews:

Author: Geronimo1967
There's something entirely plausible about the performance from Mzia Arabuli in this poignant drama. She is the retired school teacher "Lia" who is determined to track down her niece now that her sister has recently died. She lives in Georgia, likes a drink or two, and thinks that "Tekla" has fled to neighbouring Turkey where she is able to live her life more freely. She is trans - and that's not a situation encouraged at home! "Lia" hasn't a word of Turkish, though, so she agrees to take local wide boy "Achi" (Lucas Kankava) with her as a sort of guide-cum-translator. The seedier side of Istanbul beckons for both of them, but what chance of tracking down one person in a city of millions? Fortunately, the young man can't sleep one night and goes out to explore. He makes some new friends and these friends lead them to newly qualified lawyer "Evrim" (Deniz Dumanli) who promises to try to help... Now it would have been very easy for auteur Levan Akin to do this the A+B=C way, but he doesn't. He doesn't make the film about the search for "Tekla" so much as about a search by this woman to find herself, to reignite her sense of purpose and to to put into perspective issues that drive families apart leaving everyone bereft of affection and understanding. It's that role that Arabuli plays with an honesty that really works. There's an almost maternal chemistry between her and the young "Achi" and as they search, we see a city that really is a potpourri of just about every aspect of humanity - some friendly, so less so. I found this to be quite an effective film about live-and-let-live in a city where poverty and wealth exist side by side and where there appears to be a largely prevailing degree of tolerance and, to an extent, generosity of spirit. It's hopeful but not unrealistic, and proof that there's plenty of life in the old girl yet!