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Dan Gilroy

Jake Gyllenhaal, Riz Ahmed, Rene Russo, Bill Paxton, Kevin Rahm, Michael Hyatt

Dan Gilroy

Sierra/Affinity, Bold Films

Taglines: The city shines brightest at night

When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.

Reviews:

Author: John Chard
That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life. Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation. We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script. The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras. The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but stylish with it, it's also thrilling and deliciously troubling into the bargain. 9/10