United States of America

AdventureActionScience Fiction

Artificial intelligence (a.i.)Computer programSecret identityDystopiaSimulationSuper computerUtopiaDeceptionComputer simulationSequelComputer game80s styleAutocracyLight cycle

Joseph Kosinski

Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, James Frain, Beau Garrett

Brian Klugman, Lee Sternthal, Edward Kitsis, Edward Kitsis

Walt Disney Pictures, Sean Bailey Productions

Taglines: The game has changed.

Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world.

Reviews:

Author: FilipeManuelNeto
**Lots of style, lots of high-quality visuals, but little substance.** There are things that are inexplicable, and one of them is how “Tron” managed to become popular, even after not being a big hit in its time. I have already written about it and I stand by what I said: it is a film that I understand, that came in the wake of a popular fever around everything electronic, but that was made before its time, with visual and special effects that, today, seem as archaic as a 1990s cell phone. I don't know if this movie should be a sequel or if it should have been made a remake instead, but there's no doubt about the superiority of this movie: not only does it feature visual effects and CGI of great beauty and quality, as it has a frankly better script (which does not mean perfection). Indeed, the script is satisfactory, presenting an unlikely story, where a very rich young man decides to sabotage his own company thinking he is doing what his father, who disappeared for years, would approve. After that, he receives a message from his father, and the clue leads him to an old arcade, long closed, and to his father's old computer. It is there that the young man is sucked into a cybernetic space, controlled by a vile and dictatorial program. Yes, humans sucked, physically speaking, into computers. As if social media weren't enough! Added to this, the worn-out clichés of the relationship between an absent father and a needy son, an essay on a loving sub-plot without any logic, a cartoon villain without personality and made to hate. Jeff Bridges returns to the character he played in the first film, both in the person of the actor we know, and in the figure of a young alter-ego, created digitally. The actor is good, and we already know his merits, but the truth is that he doesn't seem to be in great shape. He accompanies the film, following the action, but he is not particularly noticeable in this work, as he was not in the initial film. Garrett Hedlund has a little more visibility and is, in fact, the protagonist here, but he doesn't do much more than be an action figure. It is in the technical aspects that the film stands out and deserves some praise, particularly thanks to the extraordinary design of the visual effects and the CGI, which are among the most elegant and well-executed we have seen. Recreating the concepts of the original film, they show a cleaner and more finished look, without obvious gimmicks that are unbelievable to the eyes, and with much better worked colors. However, a film is not made of style and extraordinary visuals, and there are many recent examples of visually amazing films that are worthless because they do not have quality stories. Also noteworthy are the sets and costumes, as well as the electronic soundtrack, by the French dJ duo Daft Punk.