United States of America, Malta, United Kingdom

AdventureHistoryWarAction

EpicAdulterySibling relationshipHostilityBraveryMythologyBeautyTrojan warWallFraudSword fightBattlefieldHistorical fictionAncient worldBased on songPoem or rhymePyreAncient greecePeplumTrojan horseBronze ageSparta greeceHelen of troyHomer's iliadMuscular menShipsSword and sandalHelmet

Wolfgang Petersen

Brad Pitt, Orlando Bloom, Eric Bana, Brian Cox, Sean Bean, Brendan Gleeson

David Benioff

Warner Bros. Pictures, Plan B Entertainment, Nimar Studios, Radiant Productions, Helena Productions, Latina Pictures

Taglines: For passion. For honor. For destiny. For victory. For love.

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

Reviews:

Author: drystyx
It took a while, but Brad Pitt finally did some great films. This and Fury stick out on Pitt's resume as his masterpieces thus far. Here, we have the most "credible" and "least Hollywood" look at the Iliad and the Trojan War. The characters are very likely as they were, if they really existed, with motivations explained quite well, save for one motivation. It is hard to see Achilles as someone who tells a kid that living dangerously will make you famous a thousand years into the future. Even if Achilles is that introspective, it's hard to see that point of view being something someone would believe in, especially in an ancient world where few names are remembered after death, and certainly not for thousands of years. Aside from that, we get very credible explanations for all the recorded events, without the brown nosing of Homer, although the brown nosing of Odysseus still exists even in this story. This is quite easily, and I say undeniably, the most exciting, the most credible, and the best depiction of the Trojan War and the Iliad ever out of a major studio.